Filmed amidst the Arensberg collection at the Philadelphia Museum of Art, where 35 works by Marcel Duchamp are gathered, this 1956 NBC interview features the artist talking with James Johnson Sweeney, former director of the Guggenheim Museum. Duchamp describes his transition away from Impressionism toward a Cubist, and then post-Cubist, approach, providing commentary while standing before Nude Descending a Staircase (“I was not aware of Italian Futurism when I painted it”) and The Large Glass (“The two crackings are symmetrically arranged and there is… almost an intention there… a ready-made intention, in other words, that I respect and love.”). These concepts are paradoxically, although quite logically, articulated alongside his desire for “dryness” and mechanical precision. Viewers also gain insight into Duchamp’s thoughts on painting for an “ideal” public—a notion he clearly distinguishes from ivory-tower elitism.

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A cinematic portrait of the actress and performer Vija Armane.

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Peter J. Reilly interviews guests about tax related issues.

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

A interview with Roy Disney.

Karol sits for hours in a wardrobe in a rented room on the attic, looking back on his whole life. He was brought up by a single mother who loved his only child with a sick desperate feeling and limited all his world to her own person. Karol's tragedy began with his adolescence. It made his mother aware of her feminity that resulted in her new marriage. Together with a new husband she decided to send the boy to a school for retarded children. Upon leaving the school Karol starts to seek his longing mother who moved out, in a meanwhile, not giving any address.

A bloody little short challenging today's views on body politics.